'71
A few months ago, I plonked myself down for a press screening of a film that I wasn’t too fussed about. After all, gritty British crime dramas were a pound a penny in this lucrative business and the idea of immersing myself for two hours in the world of prison fights and threats put me off. As for Jack O’Connell, I had loved him in Skins as Cook (loved him too much, some might say,) as well as his bit roles. Because sometimes, seeing actors typecast is a massive shame. Eating my words, Starred Up really delved into tentative and dark places with a knock out performance by Jack O’Connell, astute, emotive and intellectual. And since, my obsession with the young actor has sky-rocketed.
Which, thankfully, continued with Yann Demange’s debut feature ’71. Revolving around the titular year and the Belfast Riots that split the city between Protestant and Catholic – a split that encouraged murder and bloody violence. Jack O’Connell stars as Gary Hook, a Green Beret who is sent in from England with his fellow troops to man the street war. However, when things get wrought and terrible for Hook when he is separated from his fellow soldiers and mercilessly pursued by the IRA who want to kill him. Stuck in unsafe territory, Hook must find his way to safety or suffer at the hands of his pursuers.
The main draw of ’71, which you may already be aware of as people are still raving about it and it’s not been released, is Jack O’Connell. His frankly stirring performance here strips back the plot to become this tentative film about survival. The minute you are focused on his tale, you are absorbed because O’Connell demands it. Astute and visceral, O’Connell is determined to layer Hook with these layers of emotion and fear. While, arguably, O’Connell does showcase his hard-nut formula that has kept him on the radar for so long, he actually gives Hook a depth of innocence and naivety despite his anger and rage, past and present. The performance here is stunning and simply enthrals you.
Shockingly, it makes little sense that this is Demange’s first film. Because everyone should work up to this level and not lift off with it. It’s that astonishing well done that it could easily scoop up award buzz – most prominently Oustanding Debut for a Director. Demange immerses you in the blood and heat from the violence of Belfast and not only hones in on one taut and tense story, but show-cases the perilous lives of those honed in there. He tinges his film with this archaic and dangerous atmosphere that really pulls you through the ringer that on the other end, you’ll be drenched with the sweat, your heart palpitating.
The film is only marred by a few shaky camera movements and a bit of a twist in the plot that unneeded and unnecessary because the initial drama helps pull you along the rest of the film. That being said, with a collection of stellar acting from the cast such as Sam Reid and Sean Harris. This is unforgettable and with moral ambiguity on both sides of the violence, you’ll find your bum firmly on the edge of your seat.
’71 will be screening at the London Film Festival on Friday